Scott Keoni Shigeoka is an artist, designer and writer dedicated to awakening community, transforming trauma and bridging divides. His work focuses on human experiences—death, identity, healing and belonging—and have been featured in Variety Magazine, MTV, The Washington Post and Fast Company. He loves freestyle rapping, islands (born in Hawaii, Fulbright in Iceland) and tree houses. He’s writing a book about people on the outskirts of society and is a student of wabi-sabi (侘寂). His favorite word is ‘komorebi’ (木漏れ日) which means the sunlight that shines between the leaves of a tree.

My clients and project collaborators include: The Hewlett Foundation, Mozilla Foundation, Rockefeller Foundation, the Greater Good Science Center at UC Berkeley, AARP, Bloomberg Philanthropies, Nike, Mastercard, Ford, IDEO, USAID, the UAE government, University of Pennsylvania, University of Virginia, and city governments across the United States.


Honesty/Creativity is a series of talks and experiences that helps people deepen their relationships, open opportunities for inquiry, and enrich their personal journeys through courageous honesty.

What if being courageously honest allowed us to live more fully? A CreativeMornings talk (that went around the world) about a psychedelic journey, dealing with grief and reframing masculinity to include emotional honesty. A three-hour interactive experience that helps participants build stronger relationships with their parents. An event model in San Francisco that brought gerennials (over the age of 65) and millennials together for honest dialogue and connection. An installation concept featuring a mirror that measures how honest you are about yourself.


Second Chance brought groups of ten strangers through a 2-hour experience where they faced their death in a reimagined two-story building. It premiered at the Reimagine End of Life Festival and ran 41 shows in the heart of San Francisco.

What if facing your death allowed you to live more fully? Participants were diverse: a stage four cancer patient, a country’s ambassador and a young man grieving the loss of his brother. The experience included live and composed music, virtual reality, dance, theater and audience participation. More than 75 percent of contributing artists were women, people of color and/or queer. Though an upstart endeavor, commissioned artists were paid. Variety Magazine. KALW. KQED.

2015, 2016, 2018

Saga Artist Residency is a 10-day experience that takes place in the small fishing village of Eyrarbakki in southern Iceland. The residency brings international artists together to collaborate with the local community on different themes.

What if artists could come together and create in new ways? Residents have collaborated with diverse groups (local youth and artists) and spaces (abandoned fish storage units and Litla-Hraun, the largest prison in Iceland). Together with the local community, they’ve explored topics like eliminating single-use plastics, boyhood, embracing our weirdness, fighting polarization and loneliness, and regional ghost stories.


OpenIDEO Chapters incubate local communities in more than 30 cities worldwide. Volunteer teams of organizers lead each Chapter, connecting local actors to the global topics that OpenIDEO focuses on. 

What if people organized locally around the power of design to solve social issues? Each Chapter is driven by three fundamental principles: prioritizing relationships (belonging), centering on meaningful work (purpose), and a bias toward action (impact). Although geographically distributed, the network of Chapters harmoniously organize around identical topics and timelines. They have brought new insights, people, ideas and energy to important societal issues like access to water, public health, international development, educational equity and opportunities for youth.


The Oakland Garage became a container for creatives to share their work and refine their craft. The 8x12’ garage became a community space for storytelling, music shows, beatmaking workshops, cyphers, poetry, talks about sex, political activations, exhibitions and political organizing.

What if we developed community arts programming with the constraints of a single-car garage? In a place like the San Francisco Bay Area, rising rent costs means it’s harder for artists to secure space and share their work. How could we build on E. F. Schumacher’s Small is Beautiful philosophy and utilize a tiny space to create broader impact? 


Saga Fest is a music festival on the Stokkseyrarsel farm in southern Iceland focused on the power of stories to transform people.

What if a festival could help people connect to each other and nature through stories? The sound of participants’ heartbeats were collected and produced into a live track. Musicians of varied genres performed (Robot Koch, Axel Flovent, Sísý Ey, Soffía Björg, Ylja…), contributing artists produced small- and large-scale installations, and each night ended with communal fireside storytelling and songs. During the day, participants enjoyed workshops (meditation, dance, permaculture, shamanism, skateboard design…) and food by local farmers, organic chefs and fishermen.


Saga Summit is an accelerator for cross-sector collaborative projects by bringing together creative, business, social and political leaders for a multi-day gathering.

What if we built genuine relationships among leaders in different sectors? We facilitate creative exercises that support participants with deeply connecting to themselves, others and the natural world. Moments of surprise, artistic exploration and mentorship are also integrated into the leadership development of each participant. Guests included Icelandic presidential candidate Andri Snær Magnason and venture capitalist Bala Kamallakharan. The event was free, which made the Summit much more accessible to participants with unique financial circumstances.